Life's challenges are not supposed to paralyze you, they're supposed to help you discover who you are.

Bernice Johnson Reagon

When the culture is strong, you've got this consistency where black people can grow up in these places with this voice just resonating about our special-ness in the universe. And I always say you're in trouble if you get too far away from that core that grounds you.

Bernice Johnson Reagon

If every moment is sacred, and If you are amazed and in awe most of the time when you find yourself breathing and not crazy, then you are in a state of constant thankfulness, worship and humility.

Bernice Johnson Reagon

But I'm a historian. I wasn't interested in just being a producer, I was interested in doing research and presenting that research to a general public.

Bernice Johnson Reagon

Well, the first time I ran into the term religion, people were asking whether you had any. You know, some people had religion and some people didn't have religion.

Bernice Johnson Reagon

I went to a church where you could not sing out loud in the service until you had been saved.

Bernice Johnson Reagon

And I used to think that proof that I had religion was whether I knew how to sing all of the songs.

Bernice Johnson Reagon

I was at the Smithsonian for twenty years, and I'm still at the Smithsonian as a curator emeritus, and I still plan to figure out what that means for me at this point in my life.

Bernice Johnson Reagon

So one of the things that happened with integration in the South is they found that the black teachers were much more educated than the white teachers.

Bernice Johnson Reagon

I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961.

Bernice Johnson Reagon

At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.

Bernice Johnson Reagon

The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American.

Bernice Johnson Reagon

The first job I had with the Smithsonian was as a field researcher among African American communities in Southwest Louisiana and Arkansas for the festival.

Bernice Johnson Reagon

One of the biggest things I understood in a program like that was that it allowed more young African American scholars to do field research in the Caribbean and in Africa than had ever happened before in the history of the country and since.

Bernice Johnson Reagon

Personally I discovered that you could go through the academy as a young scholar, come out, and almost immediately have an impact on the academic environment.

Bernice Johnson Reagon

If I had been at a University I don't think I would have been able to have the experience I had in my Smithsonian work. I don't think I have been as successful.

Bernice Johnson Reagon

I came out of the Civil Rights Movement, and I had a different kind of focus than most people who have just the academic background as their primary training experience.

Bernice Johnson Reagon

Most people come out of their Ph.D. experience trying to prove themselves, trying to get ahead, trying to get published. You're scared everybody else is going to do your research and get your topic.

Bernice Johnson Reagon

I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.

Bernice Johnson Reagon

When I started graduate school I was interested in the culture of the Civil Rights Movement.

Bernice Johnson Reagon

Bernice Johnson Reagon Quotes

Life's challenges are not supposed to paralyze you, they're supposed to help you discover who you are.

When the culture is strong, you've got this consistency where black people can grow up in these places with this voice just resonating about our special-ness in the universe. And I always say you're in trouble if you get too far away from that core that grounds you.

If every moment is sacred, and If you are amazed and in awe most of the time when you find yourself breathing and not crazy, then you are in a state of constant thankfulness, worship and humility.

But I'm a historian. I wasn't interested in just being a producer, I was interested in doing research and presenting that research to a general public.

Well, the first time I ran into the term religion, people were asking whether you had any. You know, some people had religion and some people didn't have religion.

I went to a church where you could not sing out loud in the service until you had been saved.

And I used to think that proof that I had religion was whether I knew how to sing all of the songs.

I was at the Smithsonian for twenty years, and I'm still at the Smithsonian as a curator emeritus, and I still plan to figure out what that means for me at this point in my life.

So one of the things that happened with integration in the South is they found that the black teachers were much more educated than the white teachers.

I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961.

At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.

The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American.

The first job I had with the Smithsonian was as a field researcher among African American communities in Southwest Louisiana and Arkansas for the festival.

One of the biggest things I understood in a program like that was that it allowed more young African American scholars to do field research in the Caribbean and in Africa than had ever happened before in the history of the country and since.

Personally I discovered that you could go through the academy as a young scholar, come out, and almost immediately have an impact on the academic environment.

If I had been at a University I don't think I would have been able to have the experience I had in my Smithsonian work. I don't think I have been as successful.

I came out of the Civil Rights Movement, and I had a different kind of focus than most people who have just the academic background as their primary training experience.

Most people come out of their Ph.D. experience trying to prove themselves, trying to get ahead, trying to get published. You're scared everybody else is going to do your research and get your topic.

I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.

When I started graduate school I was interested in the culture of the Civil Rights Movement.