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Leo Kottke Quotes
Leo Kottke
Profession : Musician
Birth : September 11, 1945
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Leo Kottke
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I was required by Capital to release one every six months and the fastest I could do with all my touring was every nine months, and it would spook me every time because I never had what I needed and I really didn't want to do covers.
Leo Kottke
I was taking a nose dive somewhere between eleven and twelve because my sister had died and I was practicing something that siblings do which is follow in their footsteps and die as well.
Leo Kottke
That was when I found out that you could talk to them and it was a whole other way to blow your stack, and it's so much fun to perform that you want to do it again and the more you get out of it the better.
Leo Kottke
The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up.
Leo Kottke
The first music I was exposed to was Stravinsky and I loved it but I don't remember it.
Leo Kottke
I was two and a half and my folks would put it on the record player and I would run around the house screaming, but I haven't been that hip since.
Leo Kottke
We had a day off here yesterday and I just sat in my room and played.
Leo Kottke
Yes and for two reasons: one, I couldn't find anything to imitate at the time, and secondly because what I heard on the radio didn't bear any resemblance to what I wanted to hear on the guitar.
Leo Kottke
I had been playing single note instruments and I wanted to hear a guitar played as a piano.
Leo Kottke
It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done.
Leo Kottke
It was a kind of paralysis you would get from tendonitis and I would last about five to ten minutes into the set and it would set in and I really couldn't play.
Leo Kottke
We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless.
Leo Kottke
I think if you are writing an instrumental you are dealing with more of an aesthetic in a sense but a lyric is more of a putting yourself on the line and a much more expensive exercise.
Leo Kottke
I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there.
Leo Kottke
There are nights when you can feel stale because you've fallen into a pattern by touring too much, but it's easy to get out of it by deliberately getting in trouble and playing yourself into a corner to then see if you can get out of it.
Leo Kottke
When the audience is awful you can still have a great night and people will walk out thinking they had a great time even though there was loads of loudmouths and the sound was terrible.
Leo Kottke
It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes.
Leo Kottke
You can't really tell what the audience wants but you can tell what will keep everybodies attention in the same place.
Leo Kottke
Yeah I do and I don't mind, in fact that is one of the real encouraging things about this whole career of mine is that there are tunes I wrote almost thirty years ago that I will still play in front of an audience and I still like the old tunes.
Leo Kottke
The bulk of my set is instrumental and you have to give yourself and the audience some relief because a performance is not about great guitar playing it's really about entertainment.
Leo Kottke
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