Half the bands I guarantee wouldn't at this point want Nuno to open for them.

Nuno Bettencourt

Even with Extreme, I don't think you have a choice but to sort of have somewhat of an influence of the times.

Nuno Bettencourt

As opposed to touring for three years and then going into the studio and writing an album, I think this record is representative of a lot of everyday people.

Nuno Bettencourt

A band is like a marriage - you don't know why it works, but when it does, everything feels right.

Nuno Bettencourt

I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.

Nuno Bettencourt

As for the first guitar I actually bought, I believe it was a Cherry Red Kramer! I think I bought it because Eddie Van Halen played Kramer, and I remember it had a Rockinger tremolo on it.

Nuno Bettencourt

Rihanna is so into rock, and she gives me an empty canvas to work with. I get to do wild solos and crunch up the rhythms. It's rock, it's R&B, it's hip-hop, it's funky - all totally up my alley.

Nuno Bettencourt

You've got to love someone enough to hate them.

Nuno Bettencourt

If you spend long enough with a bunch of guys, things will inevitably start to rankle. You're going to hate the way the singer comes into the room and opens the curtains 'cos he's done it too fast or whatever.

Nuno Bettencourt

It's always flattering when someone covers a song. I mean, when you're a young band, and you're unsigned - to think that someday people would want to cover one of your songs - it's just mind-blowing.

Nuno Bettencourt

We'd tour for a year and a half and do an album and then tour for another year and a half and do another album. We thought we were invincible, but someone should have said, 'You guys need to take a little time off.'

Nuno Bettencourt

In the U.K., we always had a special relationship with the audiences because it wasn't 'More Than Words' that broke us: it was 'Get The Funk Out' that broke first. That was what we had always dreamed of.

Nuno Bettencourt

We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.

Nuno Bettencourt

With any success, there will always be a little bit of a negative.

Nuno Bettencourt

With 'More Than Words,' we wrote that, so we are that. I'm just happy people can connect with any of our songs. If that song opened the floodgates for us to be able to tour the world over and over, how could I be unhappy with that?

Nuno Bettencourt

What motivates us is always new music.

Nuno Bettencourt

I live in L.A., and whenever I get together with anybody to write, everybody is obsessed and fearful and wants to write a hit for everyone else. They wanna write a hit for Rihanna; they wanna write a hit for Katy Perry.

Nuno Bettencourt

I'm sad for younger bands that don't have a home that they know they can go to, like the twenty-five labels that used to be around that they know they can hang their hat and know that they'll give 'em three, four, five albums to develop.

Nuno Bettencourt

Nobody ever knows how big a song is going to be.

Nuno Bettencourt

You don't really write a hit song - you write a great song, and then, if the public decides it's a hit, they take over from there. The song becomes its own monster.

Nuno Bettencourt

Nuno Bettencourt Quotes

Half the bands I guarantee wouldn't at this point want Nuno to open for them.

Even with Extreme, I don't think you have a choice but to sort of have somewhat of an influence of the times.

As opposed to touring for three years and then going into the studio and writing an album, I think this record is representative of a lot of everyday people.

A band is like a marriage - you don't know why it works, but when it does, everything feels right.

I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.

As for the first guitar I actually bought, I believe it was a Cherry Red Kramer! I think I bought it because Eddie Van Halen played Kramer, and I remember it had a Rockinger tremolo on it.

Rihanna is so into rock, and she gives me an empty canvas to work with. I get to do wild solos and crunch up the rhythms. It's rock, it's R&B, it's hip-hop, it's funky - all totally up my alley.

You've got to love someone enough to hate them.

If you spend long enough with a bunch of guys, things will inevitably start to rankle. You're going to hate the way the singer comes into the room and opens the curtains 'cos he's done it too fast or whatever.

It's always flattering when someone covers a song. I mean, when you're a young band, and you're unsigned - to think that someday people would want to cover one of your songs - it's just mind-blowing.

We'd tour for a year and a half and do an album and then tour for another year and a half and do another album. We thought we were invincible, but someone should have said, 'You guys need to take a little time off.'

In the U.K., we always had a special relationship with the audiences because it wasn't 'More Than Words' that broke us: it was 'Get The Funk Out' that broke first. That was what we had always dreamed of.

We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.

With any success, there will always be a little bit of a negative.

With 'More Than Words,' we wrote that, so we are that. I'm just happy people can connect with any of our songs. If that song opened the floodgates for us to be able to tour the world over and over, how could I be unhappy with that?

What motivates us is always new music.

I live in L.A., and whenever I get together with anybody to write, everybody is obsessed and fearful and wants to write a hit for everyone else. They wanna write a hit for Rihanna; they wanna write a hit for Katy Perry.

I'm sad for younger bands that don't have a home that they know they can go to, like the twenty-five labels that used to be around that they know they can hang their hat and know that they'll give 'em three, four, five albums to develop.

Nobody ever knows how big a song is going to be.

You don't really write a hit song - you write a great song, and then, if the public decides it's a hit, they take over from there. The song becomes its own monster.