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Ryuichi Sakamoto Quotes
Ryuichi Sakamoto
Profession : Composer
Birth : January 17, 1952
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Time is the main subject for any musicians, music writers, composers.
Ryuichi Sakamoto
For me, Debussy is the door to all 20th-century music.
Ryuichi Sakamoto
Our body is part of nature. Our creations, they're not natural. We build things that aren't natural, but our bodies, they're part of that system.
Ryuichi Sakamoto
I honestly like any sound. Birds. I have a very broad space to accept or enjoy anything except quiet.
Ryuichi Sakamoto
The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I enjoy them.
Ryuichi Sakamoto
Without the knowledge of music, it would be very hard to write film music. There are so many films, and each one has a different historical background and everything.
Ryuichi Sakamoto
I always think about music horizontally and vertically at the same time.
Ryuichi Sakamoto
When we went to see the first rough cuts of 'Merry Christmas, Mr Lawrence,' I fell to the floor because my acting was so bad. I wrote music to compensate for my bad acting.
Ryuichi Sakamoto
I had never really liked the music by Gabriel Faure, but just by chance, listening to some pieces by him, I got very interested. So I listened to almost everything. All the pieces written by him. I was digging deeper and deeper. I'm not sure I still like his music or not, but it's interesting.
Ryuichi Sakamoto
I love to be anonymous.
Ryuichi Sakamoto
It was a very rare moment in Japan after the Fukushima nuclear plant accident. Ordinary people went out to the streets to speak anti-nuclear sentiments.
Ryuichi Sakamoto
I'm a terrible drummer; I almost cannot play the guitar nor sax nor trumpet.
Ryuichi Sakamoto
Japanese people can feel some attachment in what they are making, whether it is a car or a TV or a computer.
Ryuichi Sakamoto
I easily fall asleep during a movie.
Ryuichi Sakamoto
I'm very shy about seeing my own face on the screen.
Ryuichi Sakamoto
Although I don't understand Russian, I like the sound.
Ryuichi Sakamoto
I was aware of that theme of mortality in my music since around 2009. The decaying and the disappearance of the piano sound is very much symbolic of life and mortality. It's not sad. I just meditate about it.
Ryuichi Sakamoto
Asian music influenced Debussy, who influenced me - it's all a huge circle.
Ryuichi Sakamoto
I was working with the computer at university and playing jazz in the daytime, buying west-coast psychedelic and early Kraftwerk records in the afternoon, and playing folk at night. I was quite busy!
Ryuichi Sakamoto
I have a longing for violin or organ. Is it too simple to say those sustaining sounds symbolise immortality?
Ryuichi Sakamoto
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