But if you read Jane Austen, you know that she had a wicked sense of humor. Not only was she funny, but her early writing was very dark and had a gothic tone to it.

Seth Grahame-Smith

It was this weird confrontation of these two delicious flavors that got me consciously or subconsciously combining Lincoln and vampires as an observational in-joke with myself.

Seth Grahame-Smith

If you're Stephen King and you have a massive body of huge-selling well-respected work, you can pivot and do whatever you want. I don't have that body of work, I don't have that audience that's comfortable with me enough yet to follow my bliss with me.

Seth Grahame-Smith

Abraham Lincoln comes from nothing, has no education, no money, lives in the middle of nowhere on the frontier. And despite the fact that he suffers one tragedy and one setback after another, through sheer force of will, he becomes something extraordinary: not only the president but the person who almost single-handedly united the country.

Seth Grahame-Smith

I understand exactly what I am.

Seth Grahame-Smith

I'm a big, bombastic novelist and thrill-ride guy. I'm never going to win the National Book Award.

Seth Grahame-Smith

I wrote one terrible manuscript after another for a decade and I guess they gradually got a little less terrible. But there were many, many unpublished short stories, abandoned screenplays and novels... a Library of Congress worth of awful literature.

Seth Grahame-Smith

So I grew up in a very book-friendly environment and my education as a writer was reading. I think that's the best education. Reading, and taking from the people I admired.

Seth Grahame-Smith

My job on 'Dark Shadows' was to make it fun and funny, first and foremost. It can still be dark and it can still even be gory and gothic at times, but it also needed to be fun and it needed to be an experience that people would enjoy having.

Seth Grahame-Smith

I feel like the luckiest guy on the planet. But, I literally work all day, every day, seven days a week, 365 days a year, and that's not an exaggeration.

Seth Grahame-Smith

I've been a lifelong horror fan, but at the same time, I would say 90 percent of my reading is biographies and nonfiction history.

Seth Grahame-Smith

I've always enjoyed reading history, particularly presidential biographies.

Seth Grahame-Smith

I think any period in history can be adapted into interesting fiction, as long as you approach the actual history with respect.

Seth Grahame-Smith

I think zombies have always been an easy metaphor for hard times. Because they're this big, faceless, brainless group of evil things that will work tirelessly to destroy you and think of nothing else.

Seth Grahame-Smith

Sometimes we see the Civil War in movies and imagine these neatly aligned rows of men with muskets, walking in line to shoot each other. In reality the things that fascinated me were how absolutely ruthless and violent so many engagements were, how much suffering and how men were not prepared.

Seth Grahame-Smith

If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.

Seth Grahame-Smith

Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.

Seth Grahame-Smith

If a movie has more characters than an audience can keep track of, the audience will get confused and lose interest in the story.

Seth Grahame-Smith

Movie characters rarely get to think out loud or talk very much about their emotions. Instead they have to, very briefly, show their feelings through their action or through dialog.

Seth Grahame-Smith

'Pride and Prejudice' - perhaps more than any other Jane Austen book - is engrained in our literary consciousness.

Seth Grahame-Smith

Seth Grahame-Smith Quotes

But if you read Jane Austen, you know that she had a wicked sense of humor. Not only was she funny, but her early writing was very dark and had a gothic tone to it.

It was this weird confrontation of these two delicious flavors that got me consciously or subconsciously combining Lincoln and vampires as an observational in-joke with myself.

If you're Stephen King and you have a massive body of huge-selling well-respected work, you can pivot and do whatever you want. I don't have that body of work, I don't have that audience that's comfortable with me enough yet to follow my bliss with me.

I understand exactly what I am.

I'm a big, bombastic novelist and thrill-ride guy. I'm never going to win the National Book Award.

I wrote one terrible manuscript after another for a decade and I guess they gradually got a little less terrible. But there were many, many unpublished short stories, abandoned screenplays and novels... a Library of Congress worth of awful literature.

So I grew up in a very book-friendly environment and my education as a writer was reading. I think that's the best education. Reading, and taking from the people I admired.

My job on 'Dark Shadows' was to make it fun and funny, first and foremost. It can still be dark and it can still even be gory and gothic at times, but it also needed to be fun and it needed to be an experience that people would enjoy having.

I feel like the luckiest guy on the planet. But, I literally work all day, every day, seven days a week, 365 days a year, and that's not an exaggeration.

I've been a lifelong horror fan, but at the same time, I would say 90 percent of my reading is biographies and nonfiction history.

I've always enjoyed reading history, particularly presidential biographies.

I think any period in history can be adapted into interesting fiction, as long as you approach the actual history with respect.

I think zombies have always been an easy metaphor for hard times. Because they're this big, faceless, brainless group of evil things that will work tirelessly to destroy you and think of nothing else.

Sometimes we see the Civil War in movies and imagine these neatly aligned rows of men with muskets, walking in line to shoot each other. In reality the things that fascinated me were how absolutely ruthless and violent so many engagements were, how much suffering and how men were not prepared.

If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.

Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore.

If a movie has more characters than an audience can keep track of, the audience will get confused and lose interest in the story.

Movie characters rarely get to think out loud or talk very much about their emotions. Instead they have to, very briefly, show their feelings through their action or through dialog.

'Pride and Prejudice' - perhaps more than any other Jane Austen book - is engrained in our literary consciousness.